This workshop will provide detailed feedback on individual poems, as well as offering students a variety of strategies for sequencing, structuring, sectioning, and titling a full-length poetry manuscript. We will glean insights about these elements of craft from a wide range of published collections, which include Julianna Baggott’s Lizzie Borden in Love, Lucie Brock Broido’s The Master Letters, Shane McCrae’s In the Language of My Captor, Ruth Ellen Kocher’s Domina Un/blued, Krisin Bock’s Cloisters, Jen Moore’s The Veronica Maneuver, Jennifer S. Cheng’s House A, and other texts as determined by student interests. We will discuss the steps one takes to build an audience for a book prior to publication, strategies for effective pitches to publishers, and standard submissions procedures within the industry, in addition to offering personally tailored journal and publisher recommendations.

$750 — includes all meals, private bedrooms

DEPOSIT — $100 due by July 1, 2022 — click HERE for Paypal link, or send check to: Millay Arts, 454 East Hill Road, PO Box 3, Austerlitz, NY 12017

BALANCE DUE — $650 due by July 16, 2022 — click HERE for Paypal link, or send check to: Millay Arts, 454 East Hill Road, PO Box 3, Austerlitz, NY 12017

Editor-in-Chief, Tupelo Press & Tupelo Quarterly

New books forthcoming from Persea, Penguin, & Black Lawrence Press
Public Speaker, The Ovation Agency | Specialist, The U.S. Fulbright Commission, 2019 - 2024

Kristina Marie Darling is the author of thirty-six books, which include Look to Your Left:  A Feminist Poetics of Spectacle, which is forthcoming from the Akron Series in Contemporary Poetics at the University of Akron Press; Stylistic Innovation, Conscious Experience, and the Self in Modernist Women’s Poetry, forthcoming from Rowman & Littlefield Publishing Group; Daylight Has Already Come:  Selected Poems 2014 - 2020, which will be published by Black Lawrence Press; Silence in Contemporary Poetry, which will be published in hardcover by Clemson University Press in the United States and Liverpool University Press in the United Kingdom; Silent Refusal:  Essays on Contemporary Feminist Writing, newly available from Black Ocean; Angel of the North, which is forthcoming from Salmon Poetry; and X Marks the Dress: A Registry (co-written with Carol Guess), which was just launched by Persea Books in the United States.  Penguin Random House Canada has also published a Canadian edition.  

An expert consultant with the U.S. Fulbright Commission, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; seven residencies at the American Academy in Rome, where she has also served as an ambassador for recruitment; grants from the Elizabeth George Foundation and Harvard University’s Kittredge Fund; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities, which she received on two separate occasions; an artist-in-residence position with the Andorran Ministry of Culture; an artist-in-residence position at the Florence School of Fine Arts; an appointment at Scuola Internazionale de Grafica in Venice; and the Dan Liberthson Prize from the Academy of American Poets, which she received on three separate occasions; among many other awards and honors.  Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly.  Born and raised in the American Midwest, she currently divides her time between the United States and Europe.